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What do Mount Everest, Banks, and the Eiffel Tower have in common?

I just returned from three weeks in Paris. I draw the Eiffel Tower every time I go to Paris.
Why the Effiel Tower, an over-done icon?
→  Why did George Mallory want to climb Mt. Everest?
→  Why did Willie Sutton rob banks?
→  Why do I draw the Eiffiel Tower?

So, enjoy Eiffel 2013. I will be posting drawings from my trip over the next few days.

Eiffel Tower 2013 (watercolor & ink, 12×17 cm, Michael Liebhaber)

 

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Ever have one of those jobs?

Working on the Celebrity Mercury back in 2008. Some time off, but not enough. Drew the view from the front deck of the ship, just outside my cabin. Nice thing about the job – always a nice view.

 

Downtown San Francisco from Celebrity Mercury, M. Liebhaber, Ink & Watercolor, 4×6″, 2008.

 

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Have you done it? I did and I’ll do it again.

Can painters cover paintings like musicians cover songs? I have done it before (Van Gogh in Arles). I did it in Paris. And I’ll do it again.

A contemporary of many French impressionist artists, Albert Marquet walked the line between fauvism and impressionism. While I was in Paris last week I painted the same bridge that he painted (many times). I did it on  purpose. I meant to do it. I don’t regret it and I will do it again.

Albert was an impressionist who used vivid colors now and then (with all due repect to Renior’s Bal du moulin de la Galette). Having said that, here are two rather dull, of his many paintings of Pont Neuf in Paris. My watercolor sketch of Pont Neuf is from a similar vantage point. Maybe next time I am in Paris, and my French is better, I will try to get to the same vantage point. Lest you do not think to highly of his work, the dark painting at the bottom sold for about $330,000 at a Christie’s auction in 2011.

Pont Neuf  le pont neuf temps gris

Here is one of his more colorful paintings.

Poissy, the White Fence. Paintied in 1929.